So, it was 5:30 in the morning and I was getting ready to head out for my morning training run, and I put on my Bluetooth headphones and selected my Daily Mix #5 from Spotify, first track Question Reponse by Worakls, an artist I have only recently discovered (another live electronic muso!
So, imagine my surprise when it sounded really familiar, just like something I would do, although a bit more tweaked and better mixed than I would do. Then the Rhodes electric piano starts, and it’s exactly MY RIFFS! F#@king Hell! The dirty French f~%ker has stolen my track! How the hell did he mange to get all the parts to rework in such a cool way, where did he steal it from….and, I admit, I was just a little bit chuffed he’d thought my track was worth plagarising!
It was only in the lift down from the apartment when the track fizzed out as the bluetooth connection was lost that I realised my headphones had connected to my iPad that had started playing my track Bluez, at exactly the time I pressed play on Spotify on the phone (with volume off!)
With over 350 tracks produced in the last 10 years, I sometimes forget some of the cool tracks that warrant a rework and to be played live. This is one of those tracks – Bluez from November 2014:
We’re still in Crete on the #mustfinishthealbum sabbatical, with progress going fairly well on getting the 12 track album ready for the mix/master engineer when we return. Here’s where all the magic happens:
A much reduced set-up, which is coming with its own issues when I need to tweak the parameters on the Moog Sub37 part….and it’s resting back in Sydney (add it to the Todo-when-back-in-Sydney list).
So that’s about all the news for now. Back in Sydney from 1 August when the focus will shift to crafting my sets for Burning Man 2023 which will only be 4 weeks away….Eek. And somewhere along the line I will need to catch up my BandCamp Release-A-Week (R.A.W.) production…I’m about 8 weeks behind schedule on that – last quarter of 2023 is gonna be BUSY!